| Title | Date ▾ | Medium | H (cm) | W | D | x |
| Bulgar von Carthage & Son | 2012 | Crate | 62 | 84 | 3 | Internal |
| Glamourie | 2012 | The volume of the artist in 24 carat gold | 40.8 | 40.8 | 40.8 | |
| okay, one more, but this is the last time | 2012 | Photocopy on fluorescent orange paper | 59.4 | 42 | ||
| Shadows with no shadow (that thin black line) | 2012 | Electrical tape | Variable | |||
| Shootin’ for Love, Wanderers of the West | 2012 | Petrified canvas | 40 | 50 | 4 | |
| Stone Mask | 2012 | Mixed media | 24 | 26.5 | 9 | |
| , bitch | 2011 | Sand | Variable | |||
| "Shiny" no, not, neither, nor / and, as well as / or, or even / to / if / the / yes, okay, gladly, agreed / , . | 2011 | Framed Kodak Endura Metallic C-type prints of the works: no, not, neither, nor; Harry Meadley, 2010; TIFF [video still of the work: Nonsense! It made sense at the time at the time it made sense; Harry Meadley, 2009; video projection; 02:23 looped]; 720 × 576 px / and, as well as; 〃/ or, or even; 〃 / to; 〃 / if; 〃 / the; 〃 / yes, okay, gladly, agreed; 〃 / , .; 〃 | 30.8 | 51.2 | 4.5 | |
| "Shiny" BGPs | 2011 | Framed Kodak Endura Metallic C-type prints of the work: BGPs; Harry Meadley, 2010; JPEGs; 600 × 450 px [×4] | 30.8 | 51.2 | 4.5 | |
| "Shiny" Untitled (Nemesis) | 2011 | Framed Kodak Endura Metallic C-type print of the image used to depict the work Untitled (Nemesis); Harry Meadley, 1980 - ongoing; the human 'Andy Abbott', mixed media; dimensions variable | 20.7 | 31.8 | 3.1 | |
| *no more hints* | 2011 | Wrapping paper, altered undisclosed contents within undisclosed contents | 5.25 | 11.8 | 8.1 | |
| *no more spoilers* | 2011 | Vinyl lettering | Variable | |||
| a good five years | 2011 | Quink | 30 | 150 | 5 | Approx |
| a good five years (Ed.) | 2011 | Screenprint on paper | 59.4 | 42 | ||
| An Analect | 2011 | The phrase 'DO IT NOW.' in Futura Condensed ExtraBold | Variable | |||
| Critical use | 2011 | Ray Ban prescription Wayfarers | 4 | 20 | 15 | |
| declare, compare. | 2011 | Clear acrylic replica of the work: Denote, connote; denote, connote:; Harry Meadley, 2009; black enamel, MDF; 15.9 × 20 × 15.5cm |
15.9 | 20 | 15.5 | |
| Either a keystone or a cornerstone | 2011 | Stick | 38 | ⌀3 | ||
| Look for a man wearing a leather jacket bearing this badge | 2011 | RSPB badge | 2 | 2 | 0.5 | |
| Photo May 31, 8 32 53 PM | 2011 | JPEG | 2592 px | 1935 px | ||
| Soi-disant (HARRY MADELY[sic] APPRECIATION SOCIETY) | 2011 | Digitally printed banner of a cropped photograph taken on 18/02/2010 by Joseph Buckley at the private view of lives and works, theartmarket, Leeds, of Bryan Johnson stood in front of the work: 3475 (9085602); Harry Meadley, 2010; digitally printed banner of a photograph taken on 16/09/2009 by the artist at the private view of ex, Leeds College of Art, of Bryan and Colin sat on chairs next to the work: Reclining Ghost; Harry Meadley, 2009; bench gifted to the artist from the Henry Moore Institute, Leeds | 200 | 150 | ||
| Where the magic happens | 2011 | Paint belonging to the host gallery, steel | 16 | 16.5 | 28 | |
| Sterna hirundo | 2010 - ongoing | 'Stratége' leather jacket with re-lined altered pockets, RSPB pin badge, replenished edition of the work 1g; Harry Meadley, 2009 | Size 42 | |||
| , . | 2010 | TIFF [video still of the work: Nonsense! It made sense at the time at the time it made sense; Harry Meadley, 2009; video projection; 02:23 looped] | 576 px | 720 px | ||
| *hint: eleven million one thousand* | 2010 | 4 sun kuroasa himitsu-bako, undisclosed contents | 5.2 | 11.7 | 8.1 | |
| 0824 (9085602) | 2010 | Digitally printed banner | 200 | 300 | ||
| 3475 (9085602) | 2010 | Digitally printed banner | 200 | 300 | ||
| A commentary to the work 'An exordium to the forthcoming exhibition 'NOT REALLY HERE NOT REALLY THERE' (Full edit)' with Joseph Buckley, Elinor Cantrill, Benjamin Slinger, Joshua Hart and Isaac Clarke | 2010 | DVD | 54:51 | |||
| An exordium to the forthcoming exhibition 'NOT REALLY HERE NOT REALLY THERE' (Promo) | 2010 | .MOV | 13:39 | |||
| An Unbeknownst Collusion | 2010 | Smashed car windows | Variable | |||
| and, as well as | 2010 | TIFF [video still of the work: Nonsense! It made sense at the time at the time it made sense; Harry Meadley, 2009; video projection; 02:23 looped] | 576 px | 720 px | ||
| BGPs | 2010 | JPEG | 450 px | 600 px | x4 | |
| CONGRATULATIONS ON YOUR FREEDOM | 2010 | Photocopy on acetate, black lacquered nails | 21 | 29.1 | 2 | |
| Contraband (3 of 24) | 2010 | Powdered emulsion paint, clingfilm, petrolatum | 5 | 24 | 12 | x3 |
| if |
2010 | TIFF [video still of the work: Nonsense! It made sense at the time at the time it made sense; Harry Meadley, 2009; video projection; 02:23 looped] | 576 px | 720 px | ||
| no, not, neither, nor | 2010 | TIFF [video still of the work: Nonsense! It made sense at the time at the time it made sense; Harry Meadley, 2009; video projection; 02:23 looped] | 576 px | 720 px | ||
| or, or even | 2010 | TIFF [video still of the work: Nonsense! It made sense at the time at the time it made sense; Harry Meadley, 2009; video projection; 02:23 looped] | 576 px | 720 px | ||
| P290410_18.54 | 2010 | JPEG | 640 px | 480 px | ||
| Something like a hapax legomenon | 2010 | A3 black and white print with signatures, unbranded watch | 42 | 29.7 | 1 | |
| Symbol-OG | 2010 | Variable | Variable | |||
| the | 2010 | TIFF [video still of the work: Nonsense! It made sense at the time at the time it made sense; Harry Meadley, 2009; video projection; 02:23 looped] | 576 px | 720 px | ||
| The Baby Death ft. David Steans | 2010 | Expanding envelope, undisclosed contents, custom wax seal | 32.5 | 22.5 | 4 | |
| The German said to wait here | 2010 | Expanding envelope, undisclosed contents | 32.5 | 22.5 | 4 | |
| The Macerator ft. King Conny Wobble | 2010 | Expanding envelope, undisclosed contents, custom wax seal | 32.5 | 22.5 | 4 | |
| The Patch of Skin That Cannot Bleed ft. Joseph Buckley | 2010 | Expanding envelope, undisclosed contents, custom wax seal | 32.5 | 22.5 | 4 | |
| to | 2010 | TIFF [video still of the work: Nonsense! It made sense at the time at the time it made sense; Harry Meadley, 2009; video projection; 02:23 looped] | 576 px | 720 px | ||
| Trophy (Arts&Business North Awards) | 2010 | Gilded MDF, marble | 38.5 | 12.7 | 12.7 | |
| True dat | 2010 | CRB certificate, brooch belonging to the student the artist slept with | 40 | 21 | 2 | |
| yes, okay, gladly, agreed | 2010 | TIFF [video still of the work: Nonsense! It made sense at the time at the time it made sense; Harry Meadley, 2009; video projection; 02:23 looped] | 576 px | 720 px | ||
| Breaking Boards Broken | 2009–2010 | Imported regulation 'breaking boards' broken by the artist.Originally 23 x 29 x 0.8cm[x10], 23 x 29 x 1.2cm[x10], 23 x 29 x 1.8cm[x10], 23 x 29 x 2.5cm[x10] | Variable | |||
| 1:1 | 2009 | Chroma Key Green on canvas | 150 | 150 | 5 | |
| 1g | 2009 | Powdered emulsion paint, resealable poly bag, signed certificate wrap | 0.3 | 4 | 2 | |
| 24Kg | 2009 | Excavated wall, powdered emulsion paint, clingfilm, petrolatum | Variable | |||
| Denote, connote; denote, connote: | 2009 | Black enamel, MDF | 15.9 | 20 | 15.5 | |
| Nonsense! It made sense at the time at the time it made sense | 2009 | Video projection | 02:23 looped | |||
| Reclining Ghost | 2009 | Bench gifted to the artist from the Henry Moore Institute, Leeds | 43.2 | 150 | 50 | |
| TRIENTA CENTÍMETROS | 2009 | Giclée prints on 300gsm Fujifilm fine art rag paper framed in black box-frames, with the title of the work always presented in the typeface Arial Narrow in bold capitals | 56.5 | 56.5 | 3 | x2 |
| With an A, but not in that way | 2009 | Neon | 20 | 52 | 5 | Approx |
| φ:1 | 2009 | Chroma Key Green on canvas | 124 | 200.6 | 5 | |
| Oubliette | 2008 (2005 - ongoing) | LaCie 'little disk' 160GB external hard drive formatted for Mac OS X | 12.9 | 8.1 | 1.8 | |
| Trophy (Harry Meadley Prize) | 2008 - ongoing | 23 carat gold gilded MDF, marble, brass | 38.5 | 12.7 | 12.7 | |
| Harry Meadley Prize | 2008 - ongoing | Leeds College of Art, the work Trophy (Harry Meadley Prize); Harry Meadley, 2008 - ongoing, selectors, judges, art students, prize money, mixed media | Variable | |||
| 4387753 | 2008 | Lacquered cast iron, untreated larch | 91.5 | 25.2 | 22.2 | 2 parts |
| Any Given Plinth Leant As Low As Possible Against Any Given Gallery Wall | 2008 | Plinth | Variable | |||
| Errors & Omissions Excepted Exception | 2008 | Black granite | 1.5 | 30 | 40 | |
| Example 1. [Formula for the exact placement of nails to hang any number of equally sized frames equally spaced on any size wall] | 2008 | Frames, nails, pencil on paper | 38 | 30.5 | 2.7 | x7 |
| Finissage [L] | 2008 | Champagne, Polaroids | Variable | |||
| Hangman | 2008 | Powdered aluminium on frame | 27 | 46 | 2.5 | |
| Midissage [XXIV] | 2008 | Beer, Polaroids | Variable | |||
| On Loan From The Lucy Evans Collection | 2008 | 23 carat gold electroplated leather boot, bay green fireplace tiles, ceramic tile, plater, pine, bolts | 20 | 10 | 30 | 2 parts |
| Painting Giants | 2008 | Commissioned oil paintings | 50 | 40 | 2 | x4 |
| Portraits Of The Backs Of My Hands | 2008 | Duratrans Lambda prints, light boxes | 84.9 | 60.2 | 11.5 | x2 |
| SH1014 | 2008 | Tempered carbon steel, brass, black lacquered hardwood | 100 | 5 | 3 | |
| Today | 2008 | 48 sheet hoarding | 304.8 | 606.9 | ||
| Alex Farrar, Xenofon Kavvadias, Phillip Fry, Anthony Burhouse, Kayleigh Brooks, Gillian Holding, Rosie Gammon, Theodore Reeves- Evison, David Steans, R B Grange, Simon Ringe, Alison Brien, Pete Ellis, Jo Ray, Michael Burkitt, Ahn Mi-Ok, Xymphora, Harriet Parry, Charles Sheldon, Patrick Sherwood-Hamilton, Iona Smith, A Little Sum'in Sum'in, Christopher Woodward, Rachel Carter, Mark Tovell, Rob Glew, Nick Pierce, Daniel Hird, Catherine Wilkie, Alex Chocholko, Tom Miles, John Slemensek, Simeon Barclay, Hardeep Pandhal, Paul Smith, Michael Pollard, Tom Walker, Nina Wakeford, Clare Asquith, Zeno Velia and Josephine Flynn | 2007–2008 | Engraved padlock | 5 | 3.2 | 1.5 | |
| MXXXII | 2007–2008 | Mixed media | 83.5 | 43 | 86.5 | |
| Cenotaph [For the Love of Damien] | 2007 | Black plinth, plexiglass, standing frame, inkjet print | 146 | 26 | 26 | |
| For the Love of Damien | 2007 | 12,001 Swarovski™ crystals, plastic, chrome, modelling paint, hypo-cement | 16.5 | 15 | 21 | |
| Security Measures | 2007 | Performance: stewards, senior steward, instruction manual for stewards, rota, lanyards, two-way radios, red rope barrier, tickets | Variable | |||
| Vernissage [I] | 2007 | Wine | Variable | |||
| The Golden Staircase | 2006 | Gold painted wooden structure, accompanying text | 430 | 80 | 330 | |
| Untitled (Nemesis) | 1980 - ongoing | The human 'Andy Abbott', mixed media | Variable | |||
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